[color=navy]Now let's move on from Setting. I hope everyone were able to grasp the relevance and use of Setting as an element of writing. If there are any more inquiries and ideas on setting, please share
Now, I'll share some information and ideas on "Character".
What is Character or Person in Fiction
According to Wikipedia, in works of fiction, a character can be any person, persona, identity and entity. There are many kinds of characters in fiction: archetypes or stock characters, round or flat characters, dynamic or static characters, protagonists or antagonists et cetera.
A character may be based on an "archetype", a common pattern that's seen through countless of stories in many cultures. For example we have Loki of Viking mythology, Puck of Midsummer's Night Dream and Bug Bunny are regarded to be of "trickster" archetype. They possess similar traits of mischievousness and cleverness to get out of situations their mutual defiance of established standards of behavior have brought them into.
Archetypes or stock characters are used to fulfill a particular role in a story. Author Chris Huntley in his work, Dramatica, states 7 different archetypes defined by their "Action" and "Decision" characteristics:
Driver Characters - those who propels the plot, usually the pivot which a story revolves around.
1) Protagonist: "... the driver of the story: the one who forces the action." Defined by "Pursue" and "Consideration" characteristics. (The Hero)
ex. Frodo Baggings and Aragorn of Tolkien's LOTR, Captain James T. Kirk of Star Trek.
2) Antagonist: "... the character directly opposed to the Protagonist." "Prevent" & "Re-consideration".
(The Villain or Shadow) ex. Sauron of Tolkien's LOTR.
3) Guardian: "... a teacher or helper who aids the Protagonist..." "Help" & "Conscience" ex. Gandalf of LOTR.
( Wise Old Man or Wise Old Woman, or collectively, The Mentor)
* Passenger Characters - just along for the ride.
4) Reason: "... makes its decisions and takes action on the basis of logic..." "Control" & "Logic"
ex. Chief Science Officer Spock of Star Trek
5) Emotion: "... responds with its feelings without thinking..." "Uncontrolled" & "Feeling"
ex. Medical Officer Bones McCoy of Star Trek.
6) Sidekick: "... unfailing in its loyalty and support." "Support" & "Faith". ex. Chief Engineer Scotty of Star Trek.
7) Skeptic: "... doubts everything..." "Oppose" & "Disbelief", (the Trickster archetype can be considered as skeptic, questioning and rebelling against the established way of doing things)
One character may fulfill more than one archetypal role since characters, like people, can be complex and blend many personalities and traits of each archetype.
Characters can also be round or flat. Round characters are often those that seem real and relatable to readers. They are complex, possessing both positive and negative traits, and they 'grow' through the course of the story. Flat characters are just the opposite, they remain as they are introduced and oftentimes serve a role or function to help the main character or push the plot.
Characters can also be dynamic or static. Dynamic characters are those who change significantly. These changes can be in personality, physicality and choices. An example is Luke Skywalker. In the beginning of Star Wars: A New Hope, he's this wide-eyed, innocent farm boy eager and excited for adventure. By Return of the Jedi, he's changed into a more mature individual who's aware of his heritage and dark nature, his burdens and his purpose.
Static characters do not undergo such changes. Whether round or flat, static characters' personalities remain essentially stable, to let them serve as thematic or plot elements. I noticed that a majority of villains are often somewhat "static" characters in regards to personality and purpose. An example, Darth Sidious/Palpatine, the main antagonist of Star Wars.
What Writers Say On Characters.
When writing a novel a writer should create living people; people not characters. A character is a caricature.
--- Ernest Hemingway, Death in the Afternoon (1932)
Each morning my characters greet me with misty faces willing, though chilled, to muster for another day's progress through the dazzling quicksand the marsh of blank paper.
---John Updike “Marching through a Novel” in Tossing and Turning (1977)
Would you not like to try all sorts of lives— one is so very small— but that is the satisfaction of writing— one can impersonate so many people.
----- Katherine Mansfield, a letter dated April 24, 1907, Collected Letters
The test of any good fiction is that you should care something for the characters.
---- Mark Twain.
Writing Characters in Non-Fiction
Articles, like essays, may feature a fictional character or a real person, such as the author, in the form of a character sketch. In some narrative essays, the development of a person, real or fictional, is followed through a series of experiences and reflections.
Here's an
example, in the Times article in appreciation of Charlton Heston who just recently passed away.
Information regarding such a subject is obtained primarily through an interview with questions and answers, or secondarily through other sources like previous interviews, memoirs, biographies and autobiographies.