you can also have a 100 unlimited undos change the 2 digit undo limit to 100Originally Posted by butitoy
you can also have a 100 unlimited undos change the 2 digit undo limit to 100Originally Posted by butitoy
it's 1000 babe.Originally Posted by misteryusa
@ butitoy: bitaw bai pwede ra 100
change your undo value at
Edit>Preferences>General>History State :
change your two digit value to 100...
sakto!Originally Posted by EMERALD EARTH
just as i have posted earlier, 1000 is maximum.
O.T. just a suggestion,
maybe somebody will ask question anything about photoshop..
then we'll answer..
so that we might be of help.
peace.
ok kaayo na bro....Originally Posted by butitoy
paabot lang ta na naay mo post....
you guys can try to check tutorials on this site:
http://www.lunacore.com/photoshop/tu...utorials.shtml
Hope this can help
Q: unsay difference sa CS og CS2?
New featuresOriginally Posted by awan
Workflow improvements
Adobe Bridge Simplify file handling in Photoshop and within Adobe Creative Suite with Adobe Bridge, the next-generation file browser. Efficiently browse, tag, search, and process your images. (See About Adobe Bridge.)
Color management improvements Maintain common color settings throughout the Adobe Creative Suite components. Print with the simplified printing interface for color management. (See To synchronize color settings across Adobe applications.)
Version Cue® 2.0 Manage files and versions as a single user or in a small workgroup. Integrate with Adobe Bridge to manage files for your Photoshop and Adobe Creative Suite projects. (See Version Cue managed projects.)
Enhanced photo capabilities
Multi-image Camera Raw Process an entire photo shoot in a fraction of the time. With support for a comprehensive range of digital cameras, you can automatically adjust settings, convert to universal Digital Negative (DNG) format, and apply nondestructive edits to batches of images. (See The Camera Raw plug-in.)
High Dynamic Range (HDR) Work with images in 32-bits-per-channel, extended dynamic range. Photographers can capture the full dynamic range of a scene with multiple exposures and merge the files into a single image. (See About High Dynamic Range images.)
Optical lens correction Correct for lens aberrations such as barrel and pincushion distortion, chromatic aberration, and lens vignetting. Easily correct image perspective using the filter’s grid. (See The Lens Correction filter.)
Noise reduction Reduce digital image noise, JPEG artifacts, and scanned film grain. (See Reducing image noise.)
Smart Sharpen filter Sharpen images with new algorithms for better edge detection and reduced sharpening halos. Control the amount of sharpening in the highlights and shadows. (See To use the Smart Sharpen filter.)
Spot Healing tool Quickly heal spots and blemishes without selecting source content. (See To use the Spot Healing Brush tool.)
One-click red-eye correction Fix red eyes with one click. Set options to adjust pupil size and darkening amount. (See To remove red eye.)
Blur filters Apply blur effects using new blur filters: Box Blur, Shape Blur, and Surface Blur. (See Blur filters.)
Productivity boosters
Customizable menus Set up and save custom menus and workspaces, highlight new or commonly used menu items, and reduce on-screen clutter for easier access to the tools you need. (See To define a set of menus.)
Image Processor Process a batch of files to multiple file formats. (See About the Image Processor.)
All new PDF engine Comprehensive, customizable presets and PDF 1.6/Acrobat 7.0 compatibility. (See Saving files in Photoshop PDF format.)
Script and action event manager Set JavaScripts and Photoshop actions to run automatically when a specified Photoshop event occurs. (See To set scripts and actions to run automatically.)
UI font size customization Customize the size of text in the options bar, palettes, and the Layer Style dialog box. (See To change the font size in the work area.)
Update Manager Automatically search for Photoshop updates.
Variables Create data-driven graphics in Photoshop as you now do in ImageReady. (See About data-driven graphics.)
Video preview Display your document on a video monitor using a Firewire (IEEE1394) link. (See To preview your document on a video monitor.)
WYSIWYG Font menu Preview font families and font styles directly in the Font menu. (See To choose a font family and style.)
Designer enhancements
Vanishing Point Paste, clone, and paint image elements that automatically match the perspective planes in an image. (See About Vanishing Point.)
Smart Objects Perform nondestructive transforms of embedded vector and of pixel data. Create multiple instances of embedded data and easily update all instances at once. (See Smart Objects.)
Multiple layer control Work with layers as objects. Select multiple layers and move, group, align, and transform them. (See Selecting layers and To group and ungroup layers.)
Image Warp Easily create packaging mock-ups or other dimensional effects by wrapping an image around any shape or stretching, curling, and bending an image using Image Warp. (See The Warp command.)
Animation Create animated GIF files in Photoshop much as you create animation in ImageReady. (See Creating an animation.)
Japanese type features Format text with new character alignment (Mojisoroe) and more Kinsoku Shori types. (See About Asian type.)
Smart Guides Align the content of layers as you move them using guidelines that appear only when you need them. (See About guides and the grid.)
Integrated Adobe Online Services Access and download professional Adobe Stock Photos and share and print online with Adobe Photoshop Services. (See About Adobe Stock Photos.)
What’s changed
If you've worked with a previous version of Photoshop, you'll find that some things work a little differently in Photoshop CS2.
Layer grouping You can group layers using the keyboard shortcut Control+G (Windows) or Command+G (Mac OS). The shortcut for creating a clipping mask is now Control+Alt+G (Windows) or Command+Option+G (Mac OS).
Layer linking and multiple layer selection Working with multiple layers is easier now because you can select multiple layers in the Layers palette or in the document window using the Move tool. The layer linking column was removed. To link layers, select multiple layers and click the link icon at the bottom of the Layers palette. Some menu commands that work on linked layers have been changed to work on multiple layers.
To add or subtract layers from a selection in the Layers palette, Shift-click (or drag) in the document with the Move tool, with the Auto Select Layer option selected. Previously, Shift-clicking linked and unlinked layers. For more information, see To select layers in the Layers palette.
Merging layers To merge all visible layers into a new layer, press Alt (Windows) or Option (Mac OS) and choose Layer > Merge Visible. Previously you created a new layer and selected it before merging. To merge any two layers, select them in the Layers palette and choose Layer > Merge Layers. You can still merge two adjacent layers in the Layers palette by selecting the top layer and choosing Layer Merge Down.
Loading a selection To load a layer as a selection, Control-click (Windows) Command-click (Mac OS) the layer's thumbnail in the Layers palette. Previously you could click anywhere in the layer.
Clipping mask visibility To hide all layers except the clipping mask layer and the layer it is clipped to, Alt-click (Windows) or Option-click (Mac OS) the layer’s visibility icon. Previously, Alt-clicking or Option-clicking hid all layers.
File Browser Adobe Bridge handles all the tasks that you previously did in the File Browser. Flagging is now handled by the star ratings. Files previously flagged are now marked with one star. In Bridge, Control+D (Windows) or Command+D (Mac OS) now duplicates an image rather than deselecting it in the thumbnail view.
Placing a file Files that you place into Photoshop with the Place command now become Smart Objects.
requires more reading .. see photoshop help.
news:
First look: Adobe Photoshop CS3 beta
Wolfgang Gruener
December 19, 2006 21:46
Adobe has released a beta version of the next version of its image editing software Photoshop. We've had some time to play with the software and are quite certain that it is one of the most significant updates in Photoshop history.
Photoshop has always been one of those few key software packages over the past ten years or so that managed to attract both professional and home user groups who either needed to work with pixel images or simply enjoyed working with pictures. Despite its stratospheric price tag - Photoshop CS2 currently sells for $650 - it still is the ultimate choice for image editing and defended itself against much cheaper rivals, which included, for example, Ulead's PhotoImpact, Corel's Photopaint and Jasc's Paint Shop Pro (now part of Corel).
The reasons why Photoshop was able to keep its lead do not only break down to the fact that the company has been offering a more down-to-earth version pf Photoshop (elements) for some time now, but because the company had usually a good feel which features were required at a certain time. For example, Photoshop versions in the mid-1990s were focused very much on editing offline images for print publications; increasingly sophisticated images were enabled with layers that first appeared in version 3.0 and starting with version 5.5 in 1999, we saw web enhancements bundled with the core software. More recently, the trend towards professional digital photography was first addressed with Camera Raw in Photoshop 7, which was released in 2002.
There have been several updates you could have skipped, but if you have worked with Photoshop and either depend on working with images in your job or simply enjoy digital art or enhancing your digital images, then CS3 should be on your shopping list.
There are at least ten new major features in version CS3. Among the more evolutionary enhancements are a "quick select" functionality that allows users to make rough selections of image areas with similar color shades, more control over using your clone stamp (you can define and save four clone patterns), a substantially improved red-eye correction tool, which is now easily one of the best available today, as well a multi-pane vanishing point feature and a new version of Camera Raw, which now carries some features of Lightroom (such as split toning). As usual, there is also some regrouping in the menus that will require some getting used to the new menu structures.
However, we found five new features to especially stand out.
Visible right from the start is the new screen layout with the option of the regular or a skinny tool palette as well as a new dock that organizes common windows such as history, actions, tool configurations, brushes, stamps, character and paragraph formatting and layer compositions.
As simple as it may sound, we found the new dock a very convenient and useful addition - on a widescreen. As long as you are running at least a 22" widescreen LCD (with 1680x1050 resolution), we believe that most users won't mind the size of the dock and keep it in place just like it is. A total of 20 windows, which you typically had to choose from the "Window" menu or through a shortcut, are much faster accessible with the enhanced dock in CS3.
The new dock
Photoshop now can automatically stitch your images together into one larger image or even a panoramic view. The "Auto-Align" and "Auto-Blend" features work across multiple layers and delivered stunning results in our first tests. We were especially impressed by the speed panoramic images were created: The picture below was built from four six-megapixel images with a total resolution of 12288x2048 pixels. Both the stitching and blending process were completed in less than 15 seconds on a Core 2 Duo E6400 system with 2 GB of memory. There were a few hiccups and the tool apparently can get confused here and there (and it may two or three tries to bring challenging images together), but then we are still talking about a beta version here.
Auto-Align and Auto-Blend: Panoramic images in seconds. This images was created from four separate photographs. (Click image for a larger view (1600x339 pixel)
Users now have much more control over the black/white conversion of an image. Instead of de-saturating an image and adjusting brightness and contrast or/and shadows and highlights, there is now a new wndows that combines the sliders to exactly convert red, yellow, green, cyan, blue and magenta tones. CS3 also brings a tint functionality that accelerates the creation of sepia effects.
If you have been struggling with the fine-tuning process of edges in image selections, there is now a "Refine Edge" feature. Smoothing, feather and contract/expand features are now combined into one window, which should speed up selection processes. Choosing extreme option values results in new effects, such as realistic torn or washed out edges of selections.
The Refine Edge" window
A no-brainer was the integration of Smart Filters. This feature works like the non-destructive blending options for layers and allows users to apply and remove filters from images on-the-fly. Just like blending is a nice way to experiment with effects such as shadows or 3D objects, a number of filters can now be attached to an imaged and managed through the layer menu.
The collective feel of the new feature set left the impression of a not quite revolutionary, but very solid and significant update to Photoshop. There is no doubt that the difference in features from version CS2 will be enough reason for most Photoshop users to upgrade to CS3. Overall, it remains an increasingly complex image editing tool that is very tricky to learn in its details, but highly useful and enjoyable for everyone who spends a significant time with it.
Photoshop CS3 beta is available as a free, 750 GB download from labs.adobe.com. The beta is time-limited to two days. A longer use requires a registration and a Photoshop CS2 serial number.
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